FEATURED ARTIST SALVADOR JIMÉNEZ-FLORES : IN CONVERSATION WITH MARÍA SANTOYO
ABOUT THIS FEATURE
Salvador Jiménez-Flores has described his work as “[delving] into a Rasquache-Futuristic aesthetic.” It struck us as having important parallels to the way our Guest Fiction Editor Isaiah Hunt talks about Afro-Futurism, and, perhaps more importantly, being distinct in necessary ways. Broadly, creative work becomes speculative when it leaves the confines of reality, or when it steps towards a future that is not included in the narrow imaginings of the dominant culture. We admire artists who can use their creativity to carve out room for new visions. We find ourselves moved by what makes this imagining necessary — or as Sal says, “survivalistic.” We are honored to share his work in CrayfishMag, and you should know that what we are sharing is only a small glimpse. You can find more of his art at www.salvadorjimenezflores.com or in person at the National Museum of Mexican Art, Grand Rapids Art Museum, Bemis Center for Contemporary Arts, and Museum of Art and Design and elsewhere.
When we approached Sal about featuring his work, he suggested we have a writer respond to his art. Immediately, María Santoyo felt like the right person to invite, and when she looked at his work, our gut feeling was confirmed. This feature evolved into a conversation, one that achieves more than we could have hoped for. It is at times a personal narrative, a letter to a family who turned their loss into philanthropy, an exercise in ekphrasis, a critique of our dangerous moment, and more. You will find each of Sal’s images paired with a response from María.
A reflection on Sal’s work as the letter I should have written to the Freeman family two years ago. — by MARíA SANTOYO
I’ll let you in on a family inside joke. Anyone with the last name Flores is “uno de nuestros primos” — one of our cousins. Over the years, it has extended to mean anyone who is Mexican in the States, broadened to the whole of Latin America. My mother may have tried to instill a distrust of Puerto Ricans in me, but Latinidad is anyone with affective and affected understanding of the diaspora.
When Charlie — and Bella by extension — approached me about writing a response to Sal’s work, it felt like a moral imperative.
Chicanismo is an open wound. It informs the years of heartbreak and friendships torn up over the fact that my family wasn’t totally born “here.” Taco pills. “Illegal” immigration. Donkey legs. Side eyes. Frowns. Scowls. Blatant disrespect of your garden and jungle variety. Even now: my mom may be getting “racism’d” at work. I’m not good at explaining how deeply any of it hurts because the wound never truly heals. Soul wound — as they call it.
Chicanismo is an open wound. I cannot write about these experiences immediately after they happen. My writing process requires me to sit alone with my thoughts, and well, that just leads to more problems than answers. It’s how I wrote for the Freeman family — with my girlfriend on the esplanade park bench at 11:15 pm, legs curled up for warmth in the brisk March air. Someone in a black pickup truck yelled a slur at us, I think.
Chicanismo is an open wound. My mom started reading a book some time ago about how Mexico would be a world power within the next 100 years. She was a little bit skeptical, to say the least. To have the hyphen in your identity means you feel powerless most days and exhausted when the power shifts into your own hands. To cry over people whom you have never met being torn away from each other in a courthouse. To know that at any point, it could be me, too. To escape to either side of the continent would be to experience more of the same. Latinidad tells us that safety is something you find together, and EE.UU. tells us you can only fight for safety alone. You are line dancing to Garth Brooks and entertaining the güiro when you can. You are slowly caressing the crystal ball to predict your own culture in the process.
Chicanismo is an open wound. Charlie calls him “Sal.” And so I will, too.
To Sal — I see you. I see you, because my collection of written words is an attempt to capture what you do with your art.
Warmly,
María
+ Atomic Eagle/Águíla atómica Terra-cotta, black stain and gold luster 2017
Águila atómica | untitled
I can predict the future as all life moves in sanctimonious scarcity
We gave ‘none’ a name and increased abundance tenfold
I saw traffic cops turn into Kristi gnomes overnight
the eagle beats its wings and defeats air resistance
the same statements ruminates, breadth now my abade, since November
a) so many people are going to die
b) I will inevitably be part of a statistic
c) I need an escape plan
And I’m sure the niños heroes felt the same way
when they wrapped themselves with the flag
boots may drown out my worn-down vans
I will pray, one last time, to águila atómica
gritando, an imitation caw, buried in
feathers
+Reading Makes You Smarter/Leer quita lo pendejo. Collection of the Artist.
Leer quita lo pendejo | A Eulogy for my mind
A bouquet of peonies and sunflowers and orchids
atop the inground holding cell of my conscience
“She’s always been weird and prone to social faux paus”
I could say she’s born with it, but her parents knew her cranium would crack soon enough.
“Read to your bunny every night.”
She was raised Catholic but the kitchen table wasn’t ready for her to say she had a nightmare that God didn’t exist, either.
Champ always came by to tuck her in every night. Read to your bunny, and your bunny will read to you. Her parents set up barbed wire around banal children’s TV – nothing to make her complacent – and instead, the real world was waiting for her. and the news doesn’t have a child lock on it. Gaza 2011.
The Great Recession. Obama’s election and reelection.
Her first memory was at her second birthday puppet party.
She thinks as though every inch of her brain need filled
At four years old, she woke up in her slightly small toddler bed. And she acted as though this were her first real day on Earth.
Quita as in to remove. Pendejo as being a fucking idiot. Turn it off, get rid of it.
Begone. ¡Largate!
They ask her how it started and she says it was the day she “hola.”
+ Artista con el nopal en la frente / Artist with the Cactus on the Forehead, Brass and Cast Iron, 22 in x 22 in x 4 in, 2019. Kohler Arts/Industry Permanent Collection.
Nopal Nariz | Artista con el nopal en la frente | El surgimiento de una nueva realidad
Nopales always
confused me: slimy
yet so rigid. everything
I hate about olives and
mushrooms. everything I
love about spending months
in the semi-desert. the shf-shf
shf-shf of blade against tough
skin. Basket of spine soup on
the ground. Nopalera is a state
of mind: the determination to
cut through the meat. Shf-shf-
shf-shf. It’s soothing to hear that
across the hall at the mercado. I
used to be scared of walking with
nopales in my hand. Gringolandia
is unforgiving. I tie my hair with
pyrite because the herrera ran out of
replacement gold. I soaked it in bronze
conditioner. Braided it with cast iron.
+ La resistencia de los nopales híbridos / The Resistance of Hybrid Cacti. Terra-cotta, porcelain, underglazes, gold luster and terra-cotta slip, 96 in x 96 in x 96 in, 2016.
la resistencia de los nopales híbridos | all saints before all souls
I was never the kind of person that religion was going to satisfy, but if anything gives me agita in appropriation, it’s seeing spiderman arrive at the gordon square church on the west side on the first weekend in November.
You are futile and insignificant.
Saints save only so many souls, salacious in their selection, stubborn in stride: “why, oh god, oh saints, have you forsaken us?” Burning bush brought about beginning of belated end.
Mexico, America, and whatever the hell I am.
abuelos who left, abuelos who didn’t, and however the hell they got past the border
The only reason Americans know the mexican “jota” is because of marijuana. My life is, supposedly, nothing more than the girl who accused me of selling “taco pills” on the bus in fourth grade (Flores, 2012).
Vodka, Jamaica, Rumchata. cactus spines of gold line my tongue and poke at the roof of my mouth, slurps it up with glee, peeling from excitement.
This is my resistance:
“I don’t think a piñata at Día de los muertos is super appropriate!” (Flores, 2024).
This is my blasphemy:
“Why was I born in a brown body?” (Flores, 2024).
This is my sagrada corazón:
“Sus ojos miraban a Dios” (Zora Neale Hurston, 1937).
I still remember whispers in the car ride and somber soft spoken snapshots in sedans sharing, scared, “what are we going to do about the neighbor?”
Border-crossing, river-hopping Mexicans don’t deserve shit (∞, -∞).
They all blend together these days. In the molcajete we put in cane’s sauce, microplastics, chipped paint, and the irrevocable taste of nickel.
This is our prayer: smash it up and throw it on the grease clam.
+ Inmigrante como tú, homenaje al mural de la declaración de inmigración / Immigrant Like You, Homage to the Declaration of Immigration Mural. One Color Linoleum Print, 30” x 22” 2021. ∞ Edition. Printed by students from Milwaukee Institute of Art and Design.
inmigrante como tú, homenaje al mural de la declaración de inmigración
Race Traitor’s Bill of Rights, circa 2027
1. The Right to grind my skin off. When you shave down
the epidermis, you end up with that sickly red undertone
(now overtone) that you always wanted
2. Right to rhinoplasty.
From the side, everyone knows
what you are.
Your silhouette shames you.
3. Right to desecrate “the old country.”
“Where are you from?” will no longer be
an intrusive question
You can relax. Say you’re from
the suburbs of…
from now on
4. Right to a name change
You will be as ahistorical
as the Spanish last names roaming
around the streets
of St. Augustine.
5. Right to ditch besitos for tight lipped smiles
Just give a light head nod on
the recreational park trail next time
6. Right to accept mac and cheese as a
valid dinner item
In the interest of encouraging autonomy
among citizens, the state has implemented
a donation program of 1 television
per room of the household for meal hours.
We hope this allows for worldly awareness
over a universal meal.
7. Right to antithesis
give me liberty : x ::
8. Right to hypocrisy
Y : give me death
9. Right to be a ghost of a person
… - - - …
unify your body
let the organ rot overtake you
10. Right to that slippery slope of
self-documentation
that rescue helicopter abandoned you by
lowering its ladder. up there, we are
just rats to you.
you drank the cola.
A $20 bill is your personal hero.
I pity you…
+ Ouroboros. Relief print,11in x 15.5in, 2018.
Entropy | Ouroboros
Downstairs, my parents plan our exodus over
cups of nestle instant coffee, pans full of that gorgeous
sausage and egg combo, plates of chopped up apples and
bananas, and leftover pizza from last night’s epic battle of
non-mexican train dominoes
and we pretend like my dad still
believes the best in people but he blames
fentanyl deaths on the cartels that profit
from selling it
and my mom acts like she’s retiring early
to complete her lifelong dream of being
secretary of education for ezequiel montes
and truthfully she would be the only person
to make good on this legacy when an honest
politician is an oxymoron round these parts
and I tell my mom’s “educated”
friends from the UAQ that I was the kind of
kid to get bored at a neighbor’s house, take my
backpack, walk home, find the spare key, open
the door, put my pajamas on, get into bed with
a picture book…
and I had never felt pro-life until i saw a copy of
“quantum physics for babies” which introduced
entropy to infants
and if you ever thought that babies wouldn’t
remember that,
I did
as I understood
as I now hear my own mother plead for me to stop crying
as I comprehend my mother’s planning for her
second-greatest intra-continental exodus as the
first-greatest intra-continental exodus in
my life
as much as I would have loved to see
the letters L, P, and C in my professional
title, I look to the letters B, S, and N
instead
as I try to prepare myself for longer
days and the Geneva convention
around the breakfast table
as I love the lime squeezed on my corn
tortilla full of eggs and sausages
as I tell myself that some love is just
a life of the heart
as I have loved patriotism in the form
of a shared meal
as I have fallen into something
unrequited, something shakespearean